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The Contrasts in Dante
by William Warren Vernon
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INTRODUCTION.

There is no question which students of Dante oftener put to each other than this: "Which do you like best, the Inferno, the Purgatorio, or the Paradiso?"

The enquiry is a very natural one, for what greater contrast can there be than between the dark and hopeless terrors of the Inferno, the tender consolations of the Purgatorio, and the serene splendours of the Paradiso, the very Holy of Holies of the Divine Comedy, where hope is no longer needed, because it has been already realized? In the Purgatorio alone does Hope exist, for be it remembered that Dante's examination on Hope by St. James in the Paradiso does not refer to either of the three Kingdoms of the dead, but only to Man living on earth. My answer then to the question would be the counter-question: "When you look at a grand landscape by Cuyp, by Ruysdael, by Rubens, or by Hobbema, which do you most admire, the dark shadows, the brilliant highlights, or the free and spirited middle-tints?" My questioner would of course retort: "How can one separate a complete picture into the various strata which go to make up one single and harmonious entirety? In a perfect whole there must of necessity be contrasts; variety, not sameness. In music, discords in one place bring out beauties and harmonies in another." It is this natural law that Dante has evidently wished to follow in the Divina Commedia, which is the mighty conception of such a master mind as has rarely been observed in the whole history of the human race. As we move from the Inferno to the Purgatorio, and pass on to the Paradiso, we read the record of the wandering, the awakening, the disciplining, and the emancipation of a soul.

I find it difficult, if not impossible, to believe that Dante ever sat down to write, first the whole Inferno, then the whole Purgatorio, and finally the whole Paradiso, consecutively one after the other. It is far more likely that when he began to write the first Canto of the Inferno, he had already decided, in his symmetrical mind, that there were to be one hundred Cantos in the Commedia, thirty-three to each Cantica, with Canto I. of the Inferno as the Introduction to the entire subject-matter of the Poem.

He had probably composed many hundreds of verses, including the leading passages, before he took the work in hand as a whole, during the last ten years of his life. In this way some of the now disputed readings may have originated in Dante himself; the earlier reading having been composed during the period of preparation, and the variant substituted later on by himself as better expressing the meaning of the passage. A notable instance of this is to be found in Inf. XIII., 63, where Pier delle Vigne tells Dante that he so gave up his whole being to the faithful discharge of the duties of his great office of Chancellor to the Emperor Frederick II,, that he lost his veins and his pulses (le vene e i polsi). But veins and pulses are practically synonymous terms, and the variant (lo sonno e i polsi) is considered by Dr. Moore to be by far the preferable reading, as it gives a much more appropriate sense to Pietro's speech. His devotion to his noble office was such as to destroy, not his life (lo vene e i polsi), but his repose by night, and his strength and mental power by day. Let us suppose then that lo vene e i polsi may have been composed by Dante during his period of preparation, and lo sonno e i polsi substituted by himself later, as better expressing the special point of his narrative.

During the twenty-four hours I have been in Manchester, I have seen another variant, i sensi e i polsi, in two magnificent manuscripts, the one in the Rylands Library, and the other at the house of my kind host, Dr. Lloyd Roberts, which belonged to Mr. Hughes.

We may also notice the remarkable way in which at times the number of a Canto in one Cantica, corresponds with the number of a Canto in another Cantica, when the subjects in both offer a parallel or a contrast..


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Join Now Log in Home Literature Essays Divine Comedy-I: Inferno Contrapasso in the Inferno . Canto IX as a Microcosm of Dante's Inferno; A Musing Contrast; Pitiless .Vergil is the main antagonist of Devil May Cry 3: Dante's Awakening. . His personality also contrasts Dante's, as he is cold blooded and sardonic.This is a continuation of Comparing Dante and Milton, Part 1 and Comparing Dante and Milton, Part 2. In Dantes Paradise the perfection of natural virtue and .Dante vs Milton In my British . I think anyone writing about Hell after Dante's Inferno became popular cannot help but be influenced by the view of Hell .This is a continuation of Comparing Dante and Milton, Part 1 and Comparing Dante and Milton, Part 2. In Dantes Paradise the perfection of natural virtue and .Dante Alighieris Divine Comedy and Giovanni Boccaccios Decameron are two monumental works of the late Middle Ages. The Purgatorio from the Divine Comedy .

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Journeys Of Dante And St Augustine In Confessions Religion Essay. Published: 23rd March, 2015 Last Edited: 23rd March, 2015. This essay has been submitted by a student.Dante's Library. Search. Primary Menu Skip to content. Home; . but perhaps the insistence on abandoning love in the Remedia contrasts with Dantes dedication to .Darkness Visible: Dantes Clarification of Hell. Joseph Kameen (WR 100, Paper 3) Download this essay. Contrapasso is one of the few rules in Dantes Inferno.Contrast Raglan Tee DANTE Dante Fashion. 6553. product-template-default,single,single-product,postid-6553,qode-core-1.0,woocommerce .The Odyssey Comparison To The Inferno . Dante on the other hand was led by vigil through hell in . This paper compares and contrasts two of the theories .The Similarities And Differences Between Dantes Inferno Religion Essay. Published: 23rd March, 2015 Last Edited: 23rd March, 2015. This essay has been submitted by a .Compare and Contrast Dante's Inferno with Boccaccio's The Decameron, writing homework helpGroupon is an American worldwide e-commerce marketplace connecting subscribers with local merchants by offering activities, travel, goods and services in more than 28 countries.Comparison of the Inferno and the Odyssey While reading the Inferno, . Dante and Odysseus go on their adventurous journeys . compare and contrast interno and .

Longfellow's Dante: Essay by John Fiske: 3] . fall upon a similar contrast between Mr.contrast odyssey and inferno KEYWORD essays and term papers available at echeat.com, the largest free essay community.Page:The Contrasts in Dante.djvu/28. From Wikisource. Jump to: navigation, search. This page has been proofread, but needs to be validated. 17.compare and contrast dante and cervantes KEYWORD essays and term papers available at echeat.com, the largest free essay community.Of the three worlds Dante travels through in his Divine Comedy, two are the realm of sinners not worthy of Paradise: Hell (Inferno) and Purgatory (Purgatorio).Get this from a library! The contrasts in Dante; a lecture delivered at the University on 24th October, 1906,.This is Dantes influence on the structure of . There is a sense in which the trajectory of the entire Ransom Trilogy both parallels and contrasts that of Dante .Compare and contrast ideas, themes, and important points from Divine Comedy by Dante Alighieri. Part of a comprehensive Study Guide by BookRags.com. 79c7fb41ad



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